Commissioned by the Tasmanian Symphony Orchestra, this artwork responds to the cultural foundation of Lutruwita/Tasmania and the Orchestra’s commitment to reconciliation, our community and relationship building.

Building on the original artwork, this second commission reflects the growth of the Tasmanian Symphony Orchestra’s relationship with community. The line work has been extended, rippling outward to symbolise awareness, connection, and cultural development.

I developed an artwork that evolved into a full visual identity. The design draws on themes of gathering, diversity, and the water that surrounds our island home. Organic shapes mirror the coastline and evoke the natural flow of creativity and connection.

Awarded one of four Bunurong Fieldwork Residencies, I undertook a four-week program at McClelland Sculpture Park & Gallery, developing a proposal for a major sculptural work for EastLink freeway. This project is ongoing with selection still underway.

Curated by Tony Curran, Lag explored painting’s enduring relevance in an age dominated by screens and digital media. I contributed three works created with ochre pigments gathered from Country close to home.

For the Australian Music Examination Board’s Reflect Reconciliation Action Plan, I created an artwork imagining music as a cultural force moving through Country, as songlines have for millennia.

Tunapri Moonlight Stories is a large-scale projection and soundscape installation that honours the deep-time stories, cultural identity, and ancestral presence embedded in Country.

Commissioned by ACRRM for their national conference in Nipaluna, I developed a hero artwork exploring the connection between community, culture, Country, and health. The piece formed the visual backbone for the event’s print, digital, and environmental graphics.

A finalist in the art award, kanalaritja has over 24,000 individual strokes and 11 hours of work went into recreating this piece as a digital artwork, honouring the skill, patience, and cultural strength of our women in sustaining Palawa traditions.

TERMS showcased works by Palawa artists from the gallery’s permanent collection alongside contemporary works on loan. For this exhibition, artists selected and presented our own works, ensuring they were shown with consent and cultural context.

I created an artwork that reflects our ancient connection to landscape. The design incorporates two line styles, one representing land under non-Indigenous management, and one marking waterways and access routes.

Working with founder Brodi Lucas, I designed a logo and digital assets for Tasmanian Eco Collective, a business showcasing and selling Tasmanian-made products.