This dual public-private commission involved extensive collaboration with stakeholders, architects, and designers to bring seven bespoke carpets to life. Each uniquely shaped, the largest stretching 15 metres across.

Commissioned for Ten Days on the Island, this illuminated public artwork was created as part one of the Love Letter to Pataway series. It stands as a call to action and a reminder of our collective responsibility to protect Country.

Commissioned by MONA to complement Yhonnie Scarce’s work In Absence, I am leading a culturally responsive environmental intervention through the planting of endemic and culturally significant species.

Commissioned for Dark Park at Dark Mofo in collaboration with Alex Podger, This Bitter Earth was a nightly ritual of fire and smoke that mourned the loss of Country and culture through visceral performance.

Commissioned for a highly visible 11-metre wall on the Northern Integrated Community Services building at the LGH, this work was created to honour the strong connection between the local Palawa community and the Bass Strait Islands.

Engaged by staff following the success of earlier commissions, I worked with Elders, students, and community members to co-design a culturally informed Acknowledgement of Country plaque.

As curator and producer, I’ve led the opening night program of Dark Mofo for multiple years, transforming Winter Feast into a full site-wide blak-out. Each event has opened with ceremony led by Pakana Kanaplila, including smoke, dance, and welcome.

I contributed a suite of artworks to the Devonport Sound and Light Show, part of the city’s Living City redevelopment. My designs included projected visuals and laser-cut steel poles featuring motifs that tell the story of the First Palawa.

Commissioned as part of Yirramboi’s emerging artist program Barring Yanabul, I created My Body is Country, My Blood is Salt Water, a large-scale neon text work suspended in the festival’s Meat Market hub.

Commissioned to create an Acknowledgement of Country for Town Hall, I departed from the standard format and instead composed a poem expressing my personal relationship with Country paired with a native fibre planting.

I was invited by Du Cane Brewing to develop a mural for their new venue in Launceston. The resulting artwork, Meeting Place, honours the sacred waterways that converge to form Kanamaluka/Tamar River.

Commissioned by Constance ARI, I collaborated with author and artist Luana Towney to digitise her daughter’s illustrations for a public story trail about the Muwinina people. These artworks were engraved onto timber panels lining the Hobart Rivulet.

As part of the redevelopment of the State Library and Archives, I was engaged to design an integrated flooring artwork using rubber or linoleum. The circular composition evokes a yarning circle, an invitation to gather, reflect, and connect.

Awarded one of four Bunurong Fieldwork Residencies, I undertook a four-week program at McClelland Sculpture Park & Gallery, developing a proposal for a major sculptural work for EastLink freeway. This project is ongoing with selection still underway.

Tunapri Moonlight Stories is a large-scale projection and soundscape installation that honours the deep-time stories, cultural identity, and ancestral presence embedded in Country.