Commissioned to create a welcoming and culturally resonant artwork for Tasmania Legal Aid’s Devonport office, I drew on the ridge-line of Wulinantikala/Cradle Mountain as a central motif.

This dual public-private commission involved extensive collaboration with stakeholders, architects, and designers to bring seven bespoke carpets to life. Each uniquely shaped, the largest stretching 15 metres across.

Commissioned for a highly visible 11-metre wall on the Northern Integrated Community Services building at the LGH, this work was created to honour the strong connection between the local Palawa community and the Bass Strait Islands.

I developed a bespoke artwork for Lifeline Australia’s RAP and associated materials. Centred on community, care, and connection, the work reflects my lived experience as a queer Palawa man navigating mental health and healing.

Selected through an open call and endorsed by Elders Auntie Theresa Sainty, Uncle Rodney Dillon, and Auntie Lola Greeno, I was commissioned to design the Indigenous Round uniform for the JackJumpers.

I contributed a suite of artworks to the Devonport Sound and Light Show, part of the city’s Living City redevelopment. My designs included projected visuals and laser-cut steel poles featuring motifs that tell the story of the First Palawa.

For the cover of the Tasmanian Government’s LGBTIQA+ Strategy 2025–2030, I created an inclusive illustration representing the diversity of the community, spanning age, skin tone, faith, and disability.

Commissioned through Solid Lines for Deloitte’s Nipaluna headquarters, this site-specific artwork depicts the journey of freshwater from Kunanyi/Mount Wellington to the tidal waters of Timtumili Minanya/Derwent River.

Working with Waanyi designer Cassandra Pons as part of the Indigenous Fashion Projects Pathway Program, I created a custom print for her Australian Fashion Week collection which featured on the David Jones runway.

Commissioned to create a second artwork informed by student learning and collaboration with local Elders. Students submitted original artworks, which I digitised and wove into a new design featuring key cultural symbols such as muttonbirds, animal tracks, and meeting places.

Commissioned to design a custom carpet and Acknowledgement of Country for GHD’s new Salamanca headquarters, I created an artwork titled Community, Culture and Country. Inspired by Palawa weaving and circular knowledge systems, the design features repeating motifs.

Commissioned to create artwork for Clarence City Council’s Reflect Reconciliation Action Plan, I developed a design inspired by the flow and connectivity of water. Fine line work traces the interwoven paths of waterways, communities, and culture, speaking to the shared lifeblood of First Nations people in Lutruwita.

In collaboration with W Rugby, I designed a First Nations artwork for their Won for Won program, an initiative where every ball purchased sees another donated to Indigenous communities as well as regional and remote sporting clubs.

Commissioned by Constance ARI, I collaborated with author and artist Luana Towney to digitise her daughter’s illustrations for a public story trail about the Muwinina people. These artworks were engraved onto timber panels lining the Hobart Rivulet.

Commissioned by Working It Out, an organisation supporting LGBTQIA+ Tasmanians, this artwork represents my own journey as a queer Aboriginal man while speaking more broadly to shared community experiences.

Commissioned by Cumulus Studio to support their Reconciliation Plan, this artwork draws on the natural rhythms of Country and the layered journey of community and cultural understanding.

As part of a playful national campaign responding to the rise of AI-generated art, I was one of several artists commissioned by Tourism Tasmania to hand-create works based on public prompts submitted online through the TasmanAI portal.

Engaged to design the 2023–24 Aboriginal Partnership Plan Implementation Report, I created a cover artwork symbolising the many organisations, groups, and networks that support Aboriginal community in the region.