SELECTED WORKS
This collection brings together a cross-section of my recent projects across art, design, curation, and cultural consultancy. Each work is grounded in Country, informed by community, and shaped through collaboration. From large-scale public art and environmental interventions to intimate cultural programs and brand identities, these projects reflect my commitment to embedding First Nations stories, knowledge, and presence into the spaces we live, work, and gather throughout Tasmania and Australia. You can filter specific works based on your interest by selecting a category below.
Hobart City Council
Commissioned to create an Acknowledgement of Country for Town Hall, I departed from the standard format and instead composed a poem expressing my personal relationship with Country.
Launceston General Hospital
Commissioned for a highly visible 11-metre wall on the Northern Integrated Community Services building at the LGH, this work was created to honour the strong connection between the local Palawa community and the Bass Strait Islands.
Dark Mofo
Commissioned for Dark Park at Dark Mofo in collaboration with Alex Podger, This Bitter Earth was a nightly ritual of fire and smoke that mourned the loss of Country and culture through visceral performance.
Constance ARI
Commissioned by Constance ARI, I collaborated with author and artist Luana Towney to digitise her daughter’s illustrations for a public story trail about the Muwinina people. These artworks were engraved onto timber panels lining the Hobart Rivulet.
Ten Days on the Island
Commissioned for Ten Days on the Island, this illuminated public artwork was created as part one of the Love Letter to Pataway series. It stands as a call to action and a reminder of our collective responsibility to protect Country.
Yirramboi
Commissioned as part of Yirramboi’s emerging artist program Barring Yanabul, I created My Body is Country, My Blood is Salt Water, a large-scale neon text work suspended in the festival’s Meat Market hub.
Museum of Old and New Art
Commissioned by MONA to complement Yhonnie Scarce’s work In Absence, I am leading a culturally responsive environmental intervention through the planting of endemic and culturally significant species.
University of Tasmania
This dual public-private commission involved extensive collaboration with stakeholders, architects, and designers to bring seven bespoke carpets to life. Each uniquely shaped, the largest stretching 15 metres across.
St Patricks College
Engaged by staff following the success of earlier commissions, I worked with Elders, students, and community members to co-design a culturally informed Acknowledgement of Country plaque.
Business North-West
Tunapri Moonlight Stories is a large-scale projection and soundscape installation that honours the deep-time stories, cultural identity, and ancestral presence embedded in Country.